For Soprano and basso ostinato (piano). This is a song from the library of the Brussels Conservatory of anonymous 17th-Century Italian songs with an approximate composition date of 1620. View More...
For unaccompanied SATB choir. Costeley (c1530-1606) was a prominent French composer of the Renaissance. He was known for his unusual harmonies with specific notations, and his investigations in the use of microtones. View More...
For Voice(s) and (probable Organ) accompaniment. See photos for Table of Contents. "One of the only single-volume works dedicated to California sacred music during the mission period (1769-1833). Includes photographs of Indian choristers and musicians and are perhaps among the last depictions of a vanished indigenous culture and an important testament to the Native American contributions to the achievements of the Missions." (Wikipedia) Price includes shipping surcharge. View More...
For 4 trumptets and 4 trombones (or 4 trumpets, 2 horns, 2 trombones). Includes parts for the optional horns. Former library copy. Part of the publisher's collection of Venetian Brass Music. View More...
For unaccompanied SATB choir. Jannequin (c1485-1558) was one of the most popular secular composers of the Renaissance. In this piece (that celebrates the French victory over the Swiss Confederates at the Battle of Marignano in 1515), the choir imitates battle noises, including trumpet calls, cannon fire and the cries of the wounded. View More...
For Organ. Lebegue's (1630-1702) works are broadly organized: Vol. 1 (First Through Eighth Tone), Vol. 2 (Magnificats and Various Works), and Vol. 3 (Offertories, Noel, Magnificats). A total of 289 pages. View More...
For haute-contre (tenor) voice and piano. There are three excerpts from "Armide" (all sung by Renaud): 'Recitatif d'Entree' and 'Chant au Bord du Fleuve Enchante' are from the second act, and 'Arioso' from the fifth act. View More...
For Viole de Gambe and Keyboard. These works by Marais (1656-1728) occupy, in late Baroque French instrumental music, a position comparable to those for the clavecin by Franois Couperin, who was his younger contemporary and colleague at the French court. See photo for Table of Contents. Extensive commentary and performance instructions. Included with this book is a separate score for Viole that includes two of the suites from this book (Volume 3) and four suites from Volume 4 (not included in this package). View More...
For Treble Recorder (Flute, Oboe, Violin) with Basso continuo (Cembalo/Piano). Optional viola da gamba (cello) part not included. 3/11 pages. View More...